Posted by: Kate Minola
Cast: Emily Lubbers (Kate Minola), Julia Buchan (Megan Carpenter), Bryan Versluis (James Wright), Jenna Harman (Britt Minola), Devon Peacock (Hudson Vanderberg)
Credits: Golden Moose Productions. Created, written and directed by Emily Lubbers and Zoe Lorenz
Duration: 30 episodes
Here’s another web series updating Shakespeare to the milieu of the twenty-first century vlogging teenager. In this case it is The Taming of the Shrew, somewhat loosely adapted to give us the point of view of Kate Minola (“your average high school pessimist”), whose friend Megan encourages her to set up a vlog. Kate’s dilemma is that she doesn’t much like people, but her younger sister Britt is not allowed to date unless Kate does so first. The story is then fleshed out soap-wise by bringing in assorted friends and classmates, including James (a soft Petruchio).
Kate the Cursed (great title) is the creation of two Canadians, Emily Lubbers and Zoe Lorenz. It is slickly produced, plausibly scripted and convincingly performed by its young cast. It suffers from the limitations of the pseudo-vlog, because everything must be told through confessional statements to camera that are nearly always in the teenagers’ bedrooms, and there’s only so much textual analysis you can indulge in by looking at the objects they have on their walls. A restrained use of jump-cuts alleviates the sameiness of the shooting style somewhat, and some key scenes take place on a woodland vacation. But it is still people talking to camera, relentlessly, which inevitably palls (though one is not expect to watch such a series all in one sitting).
It has the usual literary web series spin-offs, including Twitter handles for the lead characters, Tumblr sites and Facebook account, and one can only be amazed at the energy and dedication that goes towards production these amateur epics. What does it tells us about Shakespeare’s play? In its way, quite a lot. Its aim is to make Kate understandable and the mistress of her own drama. She steps out of the play to talk in the language of her audience. On the Golden Moose Productions website there are some illuminating statements on why they chose Shakespeare over, say Jane Austen, to structure their series:
Another reason why we did Shakespeare over a full length novel is that there is more freedom with Shakespeare. In a novel, there are set plot points and with Shakespeare you pretty much just have the dialogue. So you can sort of take it to mean what you want.
That’s as good an argument for the Shakespeare adaptation as you could hope to find. Its meaning becomes your meaning. Kate the Cursed is not the best Shakespeare web series out there, but does show why this is such a valid and vital way of interpreting Shakespeare.
And it’s nothing like 10 Things I Hate About You.